SHUSH: Feral Artists Edition

Feral artists and their companions

Once a month, wonky sounds of the deep permeate through the walls and windows within the confines of downtown Austin.  These sounds are the results of SHUSH, an in-your-face bass event thrown by the well-known Grindhouse crew and their latest agency, Feral Artists.  Packing a punch that hertz, SHUSH is defining the space that looms between festival headliner and prospective artist in their hometowns.  With the irony of its name, SHUSH is louder and more exciting than ever, and this time the experience was packed into the most intimately cool-cat venue you’d never know existed.

Scotty Cruz (left), Grime Tribe (right)

Packed into the side of a bar, behind a secret entrance is Vinyl.  This last Saturday, the legendary sound space got a taste of the rich underground scene that is transcending the obscure niches of the ATX nightlife.  Unlike the monotonous expectations of a stereotypical event, the artists at SHUSH were only allowed to spin their own original content.  While many thriving DJs do struggle to fill a whole time-slot with their own productions, the talented members of Feral Artists Agency held their ground, shaking the establishment from wall to wall with comfort and ease.

Blaize (Center)

Featuring Blaize, Grime Tribe, Old Gold, and Scotty Cruz, the cozy quarters quickly amassed an intimate frenzy of unrelenting heathens, caught in the violent ebb and flow of throbbing subs and peaking tweeters.

It was electrifying to say the least. Both new and familiar faces riddled the dance floor.  From one person to another, the event marked a great deal of mutual love from between artist and audience, just as it should be.

Grindhouse has been throwing parties around Austin for years now and they are scaling the ranks with a new wave of Texas artists managed by Feral Artists Agency.  Focusing on the Central Texas area, the bass event company is boasting an even more powerful presence with new events every week including the bi-weekly Rick N’ Morty BBQ at Rio Rooftop, not to mention the Shuttervision Underground Festival Campout of last Spring, which introduced many of these artists to the works of Austin’s lively underground progression.

Austin has always been a pioneer in its genres and motifs, perfectly reflected by the acts under the Feral Artists banner. Boldly embracing the newer forms of sound engineering and sample manipulation, the DJs on the Feral Artists roster are not only along for the ride, they are the ride, laying down new tracks ahead, pun intended.

Grindhouse and Feral Artists Agency will continue to host SHUSH every month, indefinitely, as the momentum of their movement brings the latest in bass genres to the surface. Ascending higher every week, the light will illuminate these artists’ work for the thousands and hundreds of thousands to experience with the same love and appreciation held at obscure venues like Vinyl.

Austin Answers Houston Disaster with Bass and Love: 12th Planet and Friends

This Summer, Austin proved its love, deeply and proudly, as the great hearts of our electronic community raised over $7500 toward the Houston relief fund.  12th Planet got manic behind the decks at Vulcan Gas Company with support from Bailo, Grime Tribe, Bird Peterson, and special guest, Crizzly.  Together these talented artists brought the house down in the most endearing of ways.  Complimenting this selflessness, the Austin electronic community appeared in droves to support the Houston people as desperation climbs each and every day.

The masses came and packed Vulcan Gas Company to the brim.  It was truly a night that embodied the profound care and humanity we all share together.  The power of love greatly transcended the taboo of raging on a week night as the beautiful souls of bass and rhythm collectively danced the night away in a manner that only a fan of heavy electronic tunes may understand.

 Like a close family, the stage was a busy conglomerate of cheerful souls performing their pieces together, seamlessly.  Answering these coordinators of jest and jive were the savage creatures of the night- the loving workers of the day, together an unstoppable momentum for good.

Sweating and raging the night away in a timely-choreographed procession of neck-breaking headbanging, the dance floor was writhing. It was a prophetic exchange between selector and audience.  The whole establishment was pounding from top to bottom with all of those wishing to administer love to our fellow Texans in dire need of all the help they can get. And that’s exactly what they did. The air carried a sentimentality beyond the saturated commercialism so often curated at local electronic events.  Alas, this fateful Wednesday, financial gain was the last thing on anyone’s minds.

The walls echoed a previous era of clubbing, lost in the midst of a since-grown lust for revenue.  The DJs were not only a paid component of the evening, no, they were a warm complement to crowd and Austin culture that sought to better our society by performing and dancing equally and with equal intentions at heart.  As most shows are an experience, they have an underlying flavor of commercial gain, however that was not the case this particular evening.

With tickets sold at bare-minimum price and the promise of an unforgettable night, it wasn’t hard to believe the unending affection and respect that each person had for one another as the mutual understanding of a beneficial cause united everyone under sounds that mere mortals should only hear in their worst nightmares and wildest dreams.  Such is the case with Austin’s growing riddim scene, not to mention the legendary sounds put out time and time again by theworld’s beloved 12th Planet.  Back-to-back, the lads twisted, chopped, and faded the night onward into a righteous oblivion, leaving it all on the field in a high-octane display of ecstasy and passion.

Ending the night, a calculated $7500 was raised by none other than the beautiful patrons of Austin’s local electronic community, growing in size and friendship each and every day.

It is no secret the special bond shared by everyone who attended that evening and all of those whose thoughts were with Houston that night.  The future is determined by efforts and action.  To no one’s surprise, Austin answered in many ways to the travesty of Houston’s current devastation, this event was only one of them. What an event it was!

Our thoughts and prayers go out to Houston and its neighboring towns as we hold tight and stay vigilant to help those in need.  This event will forever reflect the virtues we hold close to us as fellow humans in the State of Texas.

Texas EDM: Let there be Blaize!



Hitting the scene in Texas this Fall, packing his arsenal with steadfast weapons of rhythm and bass is Blaize, otherwise known as Texas native, Austin Moses. Bursting from the sprawling woodwork of San Antonio, Moses is about to boast his latest work as his originality poses an even greater threat to the stagnant waters of the beloved Texas electronic scene than anyone else in his position.  Allow yourself the pleasure of indulging this mastermind of the works with his latest Faded EP, one song at a time on select dates in the next month!

As the culture of electronic music is so wonderfully rich in various tones and feelings through and through, you’ll find very quickly that Blaize has a very keen grasp of the whole pallet.  Anyone could swear each song was produced by separate artists, however those thoughts quickly vanish as an underlying theme of poetic intelligence becomes clearer and clearer with each song.  It is truly a journey with this artist.

Inspired by his roots of hip-hop, Austin Moses decided he would incorporate the rhythm and flow into his music as he sought to master the various bass genres, mid-tempo, riddim, trap, dubstep, you name it. And, well, lo and behold he’s done it! There is no mystery behind his growing traction throughout Texas and not only in San Antonio.  His sound will be widely adopted by the rest of the country as this beloved state pioneers Moses into the ears and minds of our hopeful and joyous youth!

Go Hard!

Already released is his first track of the EP, Everything, which is available for free download on his Soundcloud, signed with KNA Records. The track is an excellent precedent to the beasts in chains, waiting to be unleashed upon the masses!  Speaking of the Masses, catch Blaize this Fall for Foam Wonderland in San Antonio where he will be playing with the internationally praised artists- Deorro, and Breathe Carolina!

As for the release dates, Faded EP will be coming out, track by track, consecutively every week.  If you’ve never heard Blaize before, you’re making a mistake as his being is truly embedded with his music as he realized earlier on that instead of pleasing everyone with a variety of genres, you must please yourself.

He states,

“I realized I’m not doing this for everyone else. I’m doing it for me. That’s when I started making music with no boundaries.”

As the weeks fly by, this timeless philosophy will ring true, heavily, as his bangers will drip into the grimy, bass coffee pot on these select dates…

September 11th – Ganja (Opulence Records)

September 18th – Fade (Riddim Cartel)

September 25th – Big Daddy (Recall Records)

October 2nd – Infinity (Blaize)

Foam Wonderland! – September 30th


This month will be ripe with anticipation for a lot of things, school, sports, and music.  As Blaize is representing Texas EDM with flying colors, it would be simply traitorous to miss the obscene sounds this man has planned for everyone.  Get your squads and waters ready, because your local clubs are going to be shaking at their very foundations as your openers and local talent will find that the peaks of their sets may just be a Blaize anthem, peaking through the dance floor, and rightfully so!